1969 Gallery is pleased to announce Pas de Deux, the solo institutional exhibition of Emma Steinkraus

February 16- March 13, 2026

Washington and Lee University Staniar Gallery, 204 W Washington St, Lexington, VA 24450

Artist’s talk: 5:30 p.m. on March 5 in Wilson Concert Hall in the Lenfest Center for the Arts.


In this exhibition, Emma Steinkraus evokes vivid classical scenes, drawing from Ovid’s Metamorphoses and merging it into the contemporary world. “Steinkraus creates colorful, figurative paintings and installations that blend surface precision with playful, strange and exuberant imagery. Her process is anchored in visual research, weaving together wide-ranging art historical references with a contemporary sensibility.”

With play and precision her vibrant scenes touch on themes of femininity, transformation, the nude, and the relation of humans with other species. The gallery becomes a pas de deux, a paired dance between the past and the present.

Emma Steinkraus, “Peapod Daphne,” 2024. Oil on linen.

1969 Gallery is proud to share that Drew Dodge and July Guzman will be featured in Altered States in the Acid West at Utah MOCA

Drew Dodge, Spill, 2023, oil on canvas, 54h x 78w inches

July Guzman, Flying over Muir Woods, 2024, oil on canvas, 32h x 50w inches

"Altered States draws from the acid western genre that emerged in the 1970s alongside countercultural movements and a growing distrust of inherited histories. These films upended the familiar language of the Western—its heroes, landscapes, and myths—through surreal imagery, psychedelia, and spiritual inquiry. Instead of presenting the West as a place of destiny or conquest, acid westerns depict it as unstable terrain: disorienting, visionary, and charged with meaning beyond what can be easily named.

 For generations, the American West has been imagined and reimagined as many things at once: a promised land full of Manifest Destiny; a symbol of rugged individualism; a site of paranormal speculation; and a resource to be conquered, extracted, and consumed. Altered States in the Acid West examines these layered projections, asking how they were built, why they persist, and framing the West as a complex site of encounters—between people and land, belief and myth, and the visible and unseen.

 The exhibition also grapples with the deeper histories embedded in the region: the impacts of colonization, racial violence, and cultural erasure. These legacies are not relics of the past, but human experiences that continue to shape the political and social realities of the West today. Vast, sparsely populated landscapes have allowed isolation and extremism to flourish; simultaneously, these places draw spiritual seekers and fuel enduring mythologies that mirror America’s past and present.

Bringing together Indigenous practices, cultural and spiritual traditions, histories of extraction, and critical re-readings of Western lore, Altered States invites viewers to sit with contradiction, uncertainty, and possibility— to consider what the American West has been, and what it might still become."