Online Viewing Room: Madeline Cass

wildfire sun

March 21 – March 31, 2022

 

Madeline Cass
quietly, as you’ve stolen me, 2017
digital inkjet print on Moab Entrada Rag Natural 300gsm
20h x 30w inches

 
 

a mirage / sweltering heat

fire itself nowhere to be seen; a reminder of how we are all connected

what does it mean to be a wildfire sun?

beautiful, entrancing, terrifying – all at once

shouldn’t look but can’t stop looking

 
 

wildfire sun is a body of work that was born from relentlessly hot summers in the desert southwest, intensified by the presence of ever-raging wildfires.

The effects of climate change can warp the very physics of how the eye sees, changing the fabric of our interaction with nature: more beautiful, yet more grief-laden. These photographs depict not just the phenomenon of fire and light, but the tragedy of ecological disaster, and the way this demonstrates we are harming ourselves.

Amidst this, Cass harnesses a deep feeling of longing, for a future that may never come. This longing is conveyed visually, as a need to feel hope. Hope that humanity will see that its actions are destructive - while reckoning with the knowledge that a shift in consciousness is less and less likely. What this longing can achieve is increased closeness to nature; the distance between body, landscape and nature begins to collapse.

With deep empathy for the natural world, Cass acts as a translator for non-human life, viewing nature as an extension of ourselves. Her work redefines and illuminates our own understanding of the natural world. As we face this necessary paradigm shift, we must forge pathways which diverge from a human-centric prioritizing. This is a prerequisite for personal, ecological, and cultural renewal, and ultimately for continuing life on earth.

What if “nature” were not a place to visit, but rather who, and where we are? 

 
 
 

Madeline Cass
monolith, 2018
digital inkjet print on Moab Entrada Rag Natural 300gsm
24h x 18w inches

 
 
 

Madeline Cass
ravage & surrender, 2018
digital inkjet print on Moab Entrada Rag Natural 300gsm
24h x 18w inches

 
 
 

Madeline Cass
tension between intimacy and longing, 2020
digital inkjet print on Moab Entrada Rag Natural 300gsm
20h x 30w inches

 
 
 

Madeline Cass
fleas on a dead donkey, 2019
digital inkjet print on Moab Entrada Rag Natural 300gsm
10h x 15w inches

 
 
 

Madeline Cass
smokethorn, 2019
digital inkjet print on Moab Entrada Rag Natural 300gsm 
28h x 42w inches

 

Madeline Cass
earnest but foolish, 2019
digital inkjet print on Moab Entrada Rag Natural 300gsm
24h x 36w inches

 

Madeline Cass
i do like a thing gone bad, 2018
digital inkjet print on Moab Entrada Rag Natural 300gsm
24h x 36w inches

 

Madeline Cass
soft for you, a ripe fruit, 2020
digital inkjet print on Moab Entrada Rag Natural 300gsm
24h x 36w inches

 

Madeline Cass
and yet, the mind never burns enough, 2019
digital inkjet print on Moab Entrada Rag Natural 300gsm
24h x 36w inches

 
 
 

Cass in studio, courtesy of the artist and 1969 Gallery.

 

Madeline Cass (b. 1993 in Lincoln, Nebraska) is a multidisciplinary artist based in the American Midwest. She primarily works within photography, poetry, artist books, painting, and drawing. She uses these tools to examine the multitude of relationships between art, science, nature, and humanity. In 2017 she earned a BFA in studio art with an emphasis in photography from the University of Nebraska. Her work has been exhibited nationally and internationally. Her book how lonely, to be a marsh, has been collected by institutions such as The Museum of Modern Art Library, The National Gallery of Art Library, The Getty Research Institute Library, and The Museum of Fine Arts Houston’s Hirsch Library. Her work has been featured in New York Times, National Geographic, and Vogue, among others. 

inquiries:

Madeline Ehrlich (madeline@1969gallery.com)